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TAUK

On their new album Shapeshifter II: Outbreak, New York-bred band TAUK offer an unsettling

but ultimately exhilarating look at artificial intelligence and its potential to upend our world.

With its dynamic sense of tension and cinematic mastery of mood, TAUK’s all-instrumental

blend of progressive rock, hip-hop, and jazz proves to be the perfect backdrop for such

explorations, giving way to an album that’s both powerfully hypnotic and intensely thought-

provoking.

“We’re all very much interested in A.I., and this idea of machines getting out of the hands of the

people trying to control them,” notes TAUK guitarist Matt Jalbert, whose bandmates include

bassist Charlie Dolan, keyboardist Alric “A.C.” Carter, and drummer Isaac Teel. “This album

felt like a good setting to tell that kind of story, but in a way where we could have fun with it and

let the listener escape into a whole other world.”

Equally inspired by classic sci-fi like Blade Runner and more recent films like Ex Machina,

Shapeshifter II: Outbreak embeds that narrative into TAUK’s most sonically adventurous,

emotionally expansive work to date. A continuation of their early-2018 EP Shapeshifter I:

Construct, the new album picks up its predecessor’s narrative thread with “Prelude”: a

fantastically unsettling intro track whose frenetic keyboard work and chilling vocal samples set

the tone for what’s to come. “The idea is that in the EP you’re seeing the construction of this

being, and in the album you’re seeing it break out and become something that you can’t ignore

anymore,” Carter explains.

From there, TAUK charge forward with the driving rhythms of “Recreational Outrage” (a track

laced with the ominous throb of a robotic heartbeat), the futuristic soundscape and heady grooves

of “CMF 9000,” the gauzy reverie and glorious chaos of “Checkmate,” and the bright melodies

and soulful guitar sprawl of “Convoy.” One of the album’s most mesmerizing moments, “Let It

Ride” builds a brilliant tapestry from its luminous keyboard tones, kinetic guitar work, and

kaleidoscopic rhythms. And on “Upside Down,” TAUK close out Shapeshifter II: Outbreak with

a thrillingly epic burst of unfettered experimentalism.

Earlier Event: February 8
Eliot Lipp / Joe Nice